http://www.csulb.edu/~jvancamp/361_r9.html
"'Psychical Distance' as a Factor in Art and as an Aesthetic Principle"
by Edward Bullough
British Journal of Psychology, Vol. 5 (1912), pp. 87-117 (i have chosen to put this book at the top, seprate to my bottom section of this post because it is one of the first books i read on my dance course at Kingston University in my first year, and although i remember no direct quotes from it, it has probably had an influence on my in the past and possibly my thoughts today).
http://www.iep.utm.edu/a/aestheti.htm
http://www.myvillage.com/event/9955698-candoco-dance-company-the-perfect-human-and-still/
http://www.musicomh.com/theatre/dance_candoco-still_0209.htm
http://www.ballet.co.uk/magazines/yr_09/mar09/gw_rev_candoco_0209.htm
http://www.southbankcentre.co.uk/assets/press/releases/Candoco%20Release.pdf
http://www.youtube.com/watch?v=-fsFUValcuA
http://www.youtube.com/watch?v=-fsFUValcuA
Carter, A. (1998). The Routledge Dance Studies Reader. London: Routledge
Daly, A. (2002). Critical Gestures: writings on dance and culture. Middleton CT: Wesleyan University Press
Adshead-Lansdale, J. (1988). Dance Analysis: theory and practice. London: Dance Books
Adshead-Lansdale, J. (1999). Dancing Text: intertextuality in interpretation. London: Dance Books
Burt, R. (1995). The Male Dancer: bodies, spectacle, sexualities. London: Routledge
Copeland, R. & Cohen, M. (1983). What is Dance: readings in theory and criticism. Oxford: Oxford University Press
Moore C L & Yamamoto, A. (1998). Beyond Words: movement observation and analysis. London: Routledge
Redfern, B. (1988). Dance, Art and Aesthetics. London: Dance Books
The above books and websites have been interesting to me and allowed me to further my knowledge of dance and the stereotypes behind it. i feel that in my mind i am now more informed about the message that through a visual representation, my piece will hope to convey to the target audience as discussed in my proposal.
